This is the second year in a row I've actively liked every top-billed headliner.
The B-list on this bill is outstanding.
Friday has the fewest acts that interest me (Jay-Z, The Specials, Echo and the Bunnymen, Public Image Ltd., LCD Soundsystem, Wale) and the most acts that make me spit (Vampire Weekend, Passion Pit, Grizzly Bear, She and Him, Yeasayer, The Whitest Boy Alive)
Yes, I will go see Coheed and Cambria. You can stop reading this blog now, if you want to.
If Sly and the Family Stone actually follow through with their commitment to play then I will eat my underpants.
I still maintain that The Happy Hollows and / or The Henry Clay People would absolutely win a tent crowd at Coachella. I'm always astonished at how a handful of lesser-known Brooklyn bands always get a nod while the Echo / Spaceland breeding ground, so close to the polo fields, gets little love. I wish Goldenvoice would take a chance on one of those bands, even for a noon slot.
I have lots of time to make (and constantly revise) my Ten Most Excited to See lists. Next Collected Thoughts post, perhaps.
OK Go wrote an open letter to their fans. I downloaded a couple OK Go songs in 2002, and that's about the extent of my interest in the band. But that letter reveals something I did not know: the reason major labels won't let you embed music videos is because embedded plays don't go toward their share of the YouTube ad dollars.
(It's funny to read the guys from OK Go rationalize their position. "Guys, we love our fans and we really think we deserve to be rich for being musicians, so, um, damn the man, right?!")
I've always felt Spoon was over-rated. You don't "know" the people in Spoon the way I feel like I "know" Malkmus or Karen O or Mac McCaughan. Transference again fails to connect with me.
Little Round Mirrors is a new blog where John King, the author, is revisiting and reviewing every film in his DVD collection. Put it in your feed.
King was my editor at the Ball State Daily News and is the guy who gave me a column in that paper, a little column that was called Classical Geek Theatre.
They say they're going off the Ultimate continuity (fine) and that the story will focus on a high school boy with the secret he could have stopped his uncle's death (also fine). But I don't want a Marvel Smallville, either. Unlike many superheroes, who Spider-Man is when he wears the mask is compelling. Raimi missed it and I fear Webb will miss it too, albeit in a different way.
The movie trailer for Tekken, a film based on the arcade fighter, is out. It looks like the best-ever film adaptation of a fighter videogame. I know that's not saying much, but consider that fighting games have virtually no plot and nearly all character background is loosely implied. (Please not I am not saying it looks good.)
If true, the report is heartbreaking. It's also fascinating. Most pro athletes that commit violent crimes have a trail. Drug use, previous convictions on illegal gun possession, a few assault spats... but Marvin, despite his family history, apparently avoided any kind of entanglement like this up until the incident. No matter who you believe, not matter what you think happened, it's weird.
I'm curious to see if the Republicans in the Senate will continue their Oppose Anything Agenda now that the mythical super-majority is ended. I say "mythical" because it was never a "Liberals can pass anything" majority with senators like Bayh and (spit) Lieberman.
I hope history records that they offered virtually no ideas to save America from the financial crisis. They offered virtually no ideas to push-back health insurers to get Americans care. They prevented Obama's administration from being effective by blocking an astonishing number of nominees (who were not extremely liberal) for no reason other than spite.
I maintain the opinion that Obama, Pelosi, and few others (not absence of Harry Reid) are the only people in Washington serious about governance in the period that is in most need of governance since I've been alive. "Obama missed the main issue?" He saved the autos, the banks are paying back their bailouts, and the stimulus indisputably has saved us from recession (even if it could have done more).
The Massachusetts special election not a referendum on Obama so much as it is an illustration of how Obama can't get his message or tangible facts above the cable news cycle din. I don't think we can look to the constitution to fix this governing problem; for all their incredible foresight, a cyberpunk future was never in the wildest dreams of the most imaginative deist colonist revolutionary.
I wish I could use my power as a citizen to hit-back at the mega-media conglomerates whose corporations determine our government's behavior. Protests won't do it. I already stopped watching their television, opting for YouTube excerpts. I'm not sure how a single voter (or millions of voters) can fit in a corporately-governed United States.
I'm not so sure I'd completely blame Goldenvoice for the lack of local LA bands on the Coachella bill. Coachella requires all performers not to perform in LA for 5 months surrounding the festival. For many LA bands, this would be borderline suicidal. Local Natives has label support in the UK, and they go there frequently, so this isn't a big deal (and their album is coming out in the U.S. in February on Frenchkiss, so I'm sure booking a national tour by then won't be difficult).
Sure, Goldenvoice could waive the 5 month requirement for local bands, so you could blame them, but then everyone is going to ask for an exemption, and the festival would fall apart. Perhaps they could (and should) do one special local exemption a year.
"I've always felt Spoon was over-rated. You don't "know" the people in Spoon the way I feel like I "know" Malkmus or Karen O or Mac McCaughan. Transference again fails to connect with me."
LOL@ this. I don't give a fuck about Spoon one way or another, but I don't necessarily agree that they're overrated. Do people really go on about how great or important they are? Also, you feeling like you "know" Malkmus is pretty funny considering a) how oblique his lyrics are, and b) he's kind of a dick by most accounts (Pavement have been one of my favorite bands for the last 15 or so years, but I never felt like i "knew" Malkmus). I guess I don't get why feeling like you "know" an artist makes a fucking difference wrt their output.
Classical Geek Theatre is sub-culture for inhumans. It provides one guy's eyes' perspective on local LA rock shows, recorded music, movies, and other things that bear particular relevance to dorks, hipsters, and culture-mutants.
CGT is written by Ben "Mouse" McShane. Mouse has also written for Buzzbands.la, Fuel.TV, Web In Front, Radio Free Silverlake, Newmoanyeah, The Ball State Daily News, The Sasquatch Comedy Hour, Absolunacy, and other outlets of dubious repute.
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7 comments:
I'm not so sure I'd completely blame Goldenvoice for the lack of local LA bands on the Coachella bill. Coachella requires all performers not to perform in LA for 5 months surrounding the festival. For many LA bands, this would be borderline suicidal. Local Natives has label support in the UK, and they go there frequently, so this isn't a big deal (and their album is coming out in the U.S. in February on Frenchkiss, so I'm sure booking a national tour by then won't be difficult).
Sure, Goldenvoice could waive the 5 month requirement for local bands, so you could blame them, but then everyone is going to ask for an exemption, and the festival would fall apart. Perhaps they could (and should) do one special local exemption a year.
Now there is something I have never considered that makes absolute, total sense.
But isn't jay-z playing at staples right around the time of cochella?
Not to mention edward sharpe has played in LA within the last few months.
"I've always felt Spoon was over-rated. You don't "know" the people in Spoon the way I feel like I "know" Malkmus or Karen O or Mac McCaughan. Transference again fails to connect with me."
LOL@ this. I don't give a fuck about Spoon one way or another, but I don't necessarily agree that they're overrated. Do people really go on about how great or important they are? Also, you feeling like you "know" Malkmus is pretty funny considering a) how oblique his lyrics are, and b) he's kind of a dick by most accounts (Pavement have been one of my favorite bands for the last 15 or so years, but I never felt like i "knew" Malkmus). I guess I don't get why feeling like you "know" an artist makes a fucking difference wrt their output.
Oh, I dunno. Just that insignificant thing about feeling a connection to an artist through their music.
Why do I always insist on clicking on your "kill it with fire" links? Why? WHY?!
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